And Mondrian isn’t an isolated case. In recent weeks, similar post–Public Domain Day claims have surfaced from Fleischer Studios in connection with Betty Boop’s earliest appearances, and from representatives of Harold Lloyd’s estate concerning Safety Last! (1923), which entered the public domain over seven years ago. Different works, different theories—but the same objective: discourage use first, sort out the law later.
20:20, 9 марта 2026Мир。新收录的资料对此有专业解读
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He says a lot of the accounts re-sharing his posts are likely doing it for views and clicks - and in an effort to monetise the content on other platforms like Facebook.
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