日记的后半段，随着塔可夫斯基步入流亡岁月、病痛缠身，文本中蕴含的情感层次也愈加丰富，欢喜、愤怒、迷茫、思念、绝望交织，这对翻译提出了更高的要求——不仅要保证语言的精准，还要反复琢磨某些表达方式背后的心理动机，让这些细腻而浓烈的情感得以准确传达。日记天然的私密化特征，让翻译成为一场视角与价值观的碰撞，成为一次与塔可夫斯基的深度对话。李芝芳钟爱《伊万的童年》的主演布尔利亚耶夫，也敬仰掌镜塔可夫斯基前两部影片的苏联摄影师尤索夫，可在塔可夫斯基的日记中，这些业内公认的一流电影人，都因创作矛盾而遭到了他毫不留情的指责和挑剔：布尔利亚耶夫因《安德烈·卢布廖夫》的拍摄安排与他决裂，尤索夫也在《镜子》的创作中与他分道扬镳。“这些人在我们心里都是标杆，在他的日记里，就没有一个不骂的。”李芝芳的笑谈道出了翻译时的挣扎。
Lets you test multiple ideas in a single experiment instead of having to perform many individual tests over a long period
。关于这个话题，搜狗输入法下载提供了深入分析
Москвичей предупредили о резком похолодании09:45
Scream lovers will notice the reprisal of songs like Nick Cave and the Bad Seeds' "Red Right Hand" and a slow, sexy cover of Blue Öyster Cult's "Don't Fear the Reaper," the latter playing over the teen heroine kissing her boyfriend (like mother like daughter). There's also a cheeky nod to Scream 2, thanks to a framed photo of Tori Spelling, who canonically played Sidney in the first Stab movie. And content creators who love horror will relish doing shot-by-shot comparisons, as Williamson wisely apes director Wes Craven's iconic cinematography from the first Scream. Then, this sequel makes terrific departures from the franchise's weakest points.
40 是视野角度（FOV），就像你睁大眼睛还是眯着眼睛看。